racism

Self-described “ultimate destination for all things home” mega site Apartment Therapy has a history of troubling racial and class content and it continues this tradition by featuring a Michael Jon Watt-produced before and after [note: article is down as of 8/17/10 10:00 PM EST] that boasts a Mammy cookie jar. Mammy, of course, is in the ‘after’:

via Apartment Therapy

The post was met with enthusiastic approval for its innovative kitchen cabinet treatment(apparently a lot of people did not realize you can paint laminate cabinets–you can paint laminate cabinets, ok?) that mostly ignored the issue of the Mammy stereotype entirely. There were a few critical responses and a number reactions such as the following comments [sic]:

“I’ll take that cookie jar, too…. :)

“What if it was the person happened to like antiques? Maybe they have a thing for antique cookie jars? I’m sorry but I don’t see a racist behind very bush.”

“Great, now I have to run around my house removing everything that hints at the sins of the past – my complete works of Shakespeare (anti-semitic), my Nina Simone CDs (containing reminders of slavery) .  .  . On a less sarcastic note, if I had that mammy cookie jar it would remind me, every time I used it, to be grateful that I live in an era where such racial lampooning is over.”

“…[My grandmother] looked quite like that Mammy cookie jar, a large, smiling black woman, almost a caricature herself. She also owned one of those jars…I ‘get’ what Mammy represents; and yet I still find nothing wrong w/ the jar. Michael could be a white supremacist who does a jig every time he eats a cookie from the jar and I still wouldn’t care. Of course I’m sure Michael is nothing like that, he lives in Portland. ;)

“Knock off the Mammy jar critcism. Jeez!”

“The funniest (and most racist) thing about the comments on the cookie jar are the assumptions that Michael is a white guy!”

Racial stereotypes, particularly when presented and consumed by mostly white, mostly economically privileged audiences with no context (historical, educational) continue the legacy, and ensure the primacy, of racial oppression regardless of intent or unexpressed purpose. Without context, there is no reconciliation of a stereotype that paints black women as fecund, greedy, sassy but profoundly unintelligent denizens of the greasy pot, the blackened pan, the diaper-soiled nursery. There is only pain for one side and triumph for the other.

Aunt Jemima and Uncle Ben, Mammy and Uncle Tom fictional characters

It’s telling that one commenter, bespf, actually conflated the Mammy stereotypes of Uncle Ben and Aunt Jemima with real African American cook, entrepreneur and author Sylvia Woods, remarking sarcastically that people who objected to the cookie jar would have to restrict their food options;  “No Aunt Jemima pancakes/syrup, Uncle Ben’s Rice or Sylvia’s Soulfood for you!”  The conflation of Sylvia Woods (again, real) with Aunt Jemima and Uncle Ben (characters, unreal)  illustrates exactly how the stereotype affects actual women, today; black women (particularly those who are large and dark, elderly or disabled, who are domestic in any way) still have to contend with the spectre of a figure constructed in the Western imagination to reify black subjugation through chattel slavery, colonialism, peonage and systematic disadvantage.  What does it matter, really, if you own a woman (or underpay her; or marginalize her), if she’s fat and happy and always willing to give you a cookie?

Confused as a 'Mammy' stereotype. Sylvia Woods, Owner of Sylvia's Soul Food and her product packaging

Some will argue that the antebellum has nothing to do with the second millennium but with citizens and politicians all over the South still championing the Confederacy, calling for secession and enjoying Confederate home decor clearly we have not come far enough. And anyone who believes ‘mammy’ is no longer a relevant slur would be well advised to scan this hate forum [NSFW; may be triggering] and disabuse themselves of any such illusions.

Share your impressions, please, in the comments. Thoughtful anonymous comments are welcome, as always.

Further reading to understand the Mammy stereotype:
The American Prospect: Understanding why Mammy is NOT a Positive Stereotype
Harriet’s Daughter: “Mammy”
Wikipedia: “Mammy”
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UPDATE: As of 8/17/10 10:00 PM Apartment Therapy has taken down the original article. Other shots of the kitchen in a house tour have also been taken offline and all comments about the cookie jar have been excised.

There is a statement from the homeowner, also currently offline, that was published 8/15/2010:

“Wow. I see that my kitchen make-over has garnered quite a bit of debate … because of my cookie jar. *sigh*
I can assure you that I am not a racist, and I have the cookie jar as a reminder of personal memories of somebody I knew in my life.
And, yes, I am gay so I know what it feels like to be marginalized and judged by people who do not even know who I am. That being said I realize we all have symbols that resonate with us emotionally – whether they be good or bad.
So, I am sorry that my cookie storage offended some of you – but the meaning for me is from a loving place.”

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When first I wrote about the self-described ‘guerilla’ knitting group Knitta Please as part of the article on racism in the world of indie craft, Racism is Not Crafty, I did so with great reluctance and primarily because there had been no media challenge to the group’s name, which is a play on that most ignoble slur for people of African descent.

That media landscape has begun to change. The VOGUEknitting Early Fall 2010 article ‘Coloring Our World’ tackles head-on the issue of the racially loaded name, noting that “This Spring [KP founder Magda] Sayeg changed her website name to magdasayeg.com in answer to criticism, first aired in December 2009 on the blog onegrandhome.wordpress.com, that the name Knitta Please has racist overtones.”
Finish + comment ….

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Chilling. In a meditation on the Civil War style, Desisgn*Sponge suggests buying a padlock and keys. (Click to see original mood board on D*S)

My paramount object in this struggle is to save the Union, and is not either to save or to destroy slavery. If I could save the Union without freeing any slave I would do it, and if I could save it by freeing all the slaves I would do it; and if I could save it by freeing some and leaving others alone I would also do that. What I do about slavery, and the colored race, I do because I believe it helps to save the Union; and what I forbear, I forbear because I do not believe it would help to save the Union. I shall do less whenever I shall believe what I am doing hurts the cause, and I shall do more whenever I shall believe doing more will help the cause.
–Abraham Lincoln

The “Living In: The Civil War” antebellum aesthetic meditation at Design*Sponge is a breathtaking exercise in privileged consumerist reductivism that is easily summed up in writer Amy Merrick‘s own words:
“I am fully aware of the absurdity of making a round up of products inspired by the most bloody, tragic and heartbreaking event ever to happen on American soil.”

Absurdity noted, products with a vaguely antique and militaristic flair are rounded up for your purchasing pleasure anyway because the writer has long been fascinated by the US Civil War and the prospect of “march[ing] to your death to protect your way of life or crusad[ing] for the rights of others.”

Civil War Mood board via Design*Sponge.

Mood board via Design*Sponge. Ken Burns' "Civil War" imagined as chic consumerist pastiche.

I’ll leave to others a close reading of the text and say that while it is riddled with errors, assumptions and what are probably unwitting misstatements (such as the implication that fighting for “your way of life” which would include institutionalized human bondage, breeding, rape, torture murder is somehow the moral equivalent of crusading “for the rights of others”), the larger issues is the misguided assumption that it is permissible to fetishize and commercially promote antebellum culture so long as you do so from the ‘morally superior’ Union perspective and that it is appropriate to imagine the Civil War as a conflict in which slavery is an abstraction and black people are absent or invisible. Finish reading + Comment …

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Dixie Decor in Honor of Confederate History Month

by Alexis L. on April 12, 2010

Having absolutely no relevance to the race of America’s first black President, there’s been a lot of Confederacy nostalgia these days. Alabama Representative Paul Broun has compared Health Care Reform to the collapse of the beloved Confederate Dollar after the “Great War of Yankee Aggression” and Alabama Governor Bob Riley declared April Confederate History and Heritage Month. Hot on his heels, Virginia Governor Robert McDonnell has also proclaimed April “Confederate History Month”, backed by the Governor of Mississippi. And of course Texas Governor Rick Perry has suggested that Texas could secede from the Union. Well to celebrate this treasonous patriotic and inclusive moment that celebrates Southern heritage, I thought I would bring you a few ways to show your antebellum Southern pride. These were the very best images I could find and I think they show modern day Confederate culture in all of its beauty. Just click the pic to buy.

Stay classy, Dixie!

Fine Porcelain Confederate Stein. Via Wallhangings4u.

Confederate Heart Pillow via Pattern Diva

Ring Bearer Pillow via Eye Catching Creations

Rebel Flag Curtain via Dixie Outfitters Branson

Now here's a headboard idea I overlooked. Via Ugly House.

via Civil War Standard

Confederate table runners via Confedalot.

Confederate Touch Lamp. Via Mike

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A Problematic History of Race & Class at Apartment Therapy

December 29, 2009

Apartment Therapy Media describes itself as “the ultimate online destination for all things home” with a a reach of over 3 million unique visitors per month. It was also recently hailed as the #1 Design Blog by The Times of London. Having seen Jesse Lu’s recent call-out of AT on Everyday Object and considering its [...]

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Founder of Knitta, Please Speaks & Modifies Site

December 17, 2009

Magda Sayeg, founder of Knitta, Please has been kind enough to respond to my request for comment on the issues of race, class and co-opting that have been raised here and on numerous other blogs. These are her words [sic]: Perthaps if you approached me before you painted me to be a racist, you would [...]

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Responding to Knitta, Please with Words and Action

December 16, 2009

I’ve been very impressed by the level of discourse surrounding the issue of Knitta, Please and wanted to highlight just some statements that I think are particularly worth considering since I know a lot is lost in a 60+ comment thread. Please check the first comment below for a list of curated comments and links [...]

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Racism Is Not Crafty

December 13, 2009

Note re caption: The caption of this t-shirt is tongue-in-cheek and not attributed to anyone. There’s something ill afoot in craftosphere, strains of a casual racism that I find deeply troubling. I’ve been remarkably self-censorial on the matter of the so-called ‘guerilla knitting collective’ Knitta Please because commentary on the group is (a) a rather [...]

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