classism

Resisting Displacement With Rockets

by Alexis L. on June 16, 2010

Chinese farmer Youde Yang holds a land lease until 2029 in the Hubei province, but the state is nevertheless attempting to demolish his hut to make way for commercial buildings. His defense? Firing homemade rockets over the heads of his would-be evictors.

Powerful.

What measures do you think are morally permissible in the defense of one’s home from eminent domain moves? Does the cultural / governmental context make any difference?

Further details & more images at Angry Asian Man.

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Ikea Showing Size Diversity

by Alexis L. on March 14, 2010

So, on Ikea.com today, I find this rather radical splashpage:

via Ikea

A Smiling…stirring…Sweden-loving…fat woman.

Just posed very primly, trying to sell you and me a kitchen through the peddling of domestic bliss. Not begging to stay on a weight loss reality to show “To save my life!”, not pushing chapter 12 of her fatsploitation career a la Kirstie Alley, not enacting a the fat-stupid-slovenly-low-class-comedic-sassy-desperate set of stereotype we’ve seen on everything from The Honeymooners to Roseanne to The King of Queens to Tyler Perry’s Madea to Fat Albert to Norbert (if anyone actually saw that, which is doubtful) to Laurel and Hardy to Drop Dead Diva to the headless fatsos you see waddling down the street, often in slow motion, on your evening news when they report on the latest and greatest diet development that is going to make us svelte (Stay tuned for the news at 11!).

Nope, just a woman and her whisk, enjoying a conversation and the gorgeous efficiency of an Ikea kitchen. I appreciate this visual diversity particularly because it includes a figure rarely portrayed in media, an overweight white woman. While the domestic plus-size black woman has a long (if fraught) visual history and heavy white men are often portrayed in domestic spaces to be cut-ups and characters larger white women have largely been absent and ignored, relegated to media that is explicitly about weightloss. With so many American women overweight and obese, and unproductively obsessed about it, it is nice to see Ikea continuing its history of portraying diversity in advertisements to include a range of body types and sizes as well as gay and interracial families.

Though I believe fat identity is (mostly) a mutable identity related to lifestyle choices more than inheritance and I absolutely do not subscribe to comparing it to gender, sexual identification, sexual orientation or race, I also do believe in the dignity of all people, regardless of what foods they choose to consume, in what amounts and regardless of what effects it has on their outward appearance. Your value as a consumer should not be predicated on your BMI. Like it, love it or hate it, this is what a good deal of America looks like (well, with Photoshop, at least). It’s time to see it, face it and for corporate America to sell to it without shaming it. Do you agree this is a step in the right direction? Misguided pandering? Something else? Please share your thoughts.

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Apartment Therapy Media describes itself as “the ultimate online destination for all things home” with a a reach of over 3 million unique visitors per month. It was also recently hailed as the #1 Design Blog by The Times of London. Having seen Jesse Lu’s recent call-out of AT on Everyday Object and considering its regrettable campaign of championing Knitta, Please in 2006, 2008 and 2009, I wanted to take a comprehensive look at how this important site has treated race and class, pointing out a history problematic posts. In many cases,  despite claims of racism, the posts received no response from the editors and I’ll leave it to you to decide what, if anything, merits comment. Click any of the photos for the original stories.

The post: Christmas Trees of Color

via Apartment Therapy 12/2009.

The problem: This is the post that got me thinking. People of color are not a joke and the term ‘people of color’ is not a joke. The playful question, “Do you prefer the standard tree or areyou drawn to trees of color?” also suggests that there is a ‘standard color’ for people (presumably white) and that then there are the ‘others.’ Following the lead of Jesse Lu, I and others spoke out against this and received no comment from AT.

The Post: Jonathan Adler’s Latest

via Apartment Therapy 3/2005.


The problem: Though the post deals extensively (and oddly) with hetero-angst, it does not at all touch on, call out or question the caricaturing and appropriation of African American figures for apparent comedic shock effect by Adler. Instead, they say “god bless him” for “taking off the kidd gloves.”

The Post: “Ghetto Style: FedEx Furniture Makes Fedex Furious”

via Apartment Therapy 8/2005.

The Problem: The interpretation of appropriating materials as being ‘ghetto’ is overtly classist and since ‘ghetto’ has come to be most strongly associated with communities of color, is racially loaded. The artist, I’ll note, happens to be Latino. One wonders why the his battle with Fedex was not framed as a classic struggle between an artist and a corporate conglomerate (e.g., ‘Artistic Upcycling Infuriates Fedex’) and instead was framed as ‘ghetto.’

The post: Ghetto Unfabulous in Echo Park.

via Apartment Therapy, 5/2007.

The problem: Again, ‘ghetto’ = undesirable, small, slapdash, laughable.

The Post: “Look! Skateboards as a Headboard!”

via Apartment Therapy, 10/2007

The problem: While I have managed to profile 100 headboards with no racist imagery (imagine that), the larger problem with this post is that there is no interrogation of, nor explanation for, the racist images. Note the use of the Prince and Michael Jackson motif on one board, similar to that used in Jonathan Adler’s home, above, juxtaposed with images of pickaninnies and monkeys.

The post: All Good In The Hood

via Apartment Therapy 3/2008. Excerpt: 'We all watched in curious excitement as armoured and armed police officers scoured house to house across the street with their canine officers. And at one point we overheard the overhead ghetto bird warn the hiding suspect that he had just "one minute to give himself up . . .'

The problem: “The hood.” “Ghetto.” “Ghetto bird.” And all of the attendant bourgeosie titillation.

The post: Young Pioneers State Claims in the Tenderloin

via Apartment Therapy 5/2008

The problem: The cure for all of that ‘ghetto’, obviously. “Urban pioneering” suggests that no one of consequence lives in a particular area until upwardly mobile, usually white newcomers move into an area.

The post: Gentrify.

via Apartment Therapy 10/2008. Excerpt: 'Embrace your inner shame (in the privacy of your own home, of course) with Gentrify.'

The problem: Gentrification and its attendant displacement of disadvantaged people is treated trivially.

The post: Look! Painted House Numbers

via Apartment Therapy, 10/2008

The problem: One stated benefit of this paint treatment is “Your Chinese delivery man will always be able to find you.” While tossed off, the notion that again, people of color are meant to be of service is problematic and is reinforced by featuring homes like that of Michelle Workman whose use of blackamoor lamps and chinoiserie depends heavily on motifs of people of color in servitude positions.

The post: Ridding Curry Odor from Couch

via Apartment Therapy 2/2009

The problem: The worst part of this dubiously premised reader-submitted question was the gratuitous ethnicity dropping with the comment, “I recently bought a couch from a lovely Indian couple off of Craigslist. The couch is perfect except for the fact that the couch smells like curry.” The calling-out of people of color only when they are thought of as presenting a problem (ie., ‘Oh those Indians and their pungent curry’) is something that happens regularly but not something that journalistic organizations should reinforce.

The post: Gitte Brand–Danish Painter

linked to from Apartment Therapy, 2/2009

Though the above photo was not listed on the Apartment Therapy site, clicking through to the artist’s site showed that the hosted images of giraffes were cherry-picked from amongst many crude paintings of blacks with jungle animals. Several posters complained that these villagers were painted to look like apes and that one caption translated to “I like to eat chocolate and bananas all day” but this elicited no response from AT.

The post: Hot or not? Afro Chair Made from Notebook Springs

via Apartment Therapy, 10/2009

The problem: While the post itself is problematic because of the product name, the most regrettable choice was the ‘Not’ option, which originally read, “Someone needs to straighten out that afro. Not Hot.” Though clearly meant as a joke, the idea that African-textured hair is inadequate, ugly and a blemish to be removed is old, tired and yes, racist. I will note that the blogger, Gregory Han, redacted the text after it sparked outrage.

I’ll admit that I don’t know how to respond to this body of work. While Apartment Therapy is quite the force in the design blogosphere, the disappointment for me is intimate. AT was the very first decor blog I read regularly and I lurked and bookmarked for years before I became an active commenter. I tried to circumvent the content I found offensive but now I am ready to engage it head-on, though I am not sure what that means for my relationship for the site. I am aware that it constitutes a very small part of its content but it does, I think, betray an editorial perspective that:

  • Finds charges of editorial racism too insubstantial to merit an answer or explanation
  • Feels free to treat people of color and people of modest means as a joke
  • Thinks racism and classism are edgy and interesting, titillating fodder for the mostly white, mostly well-off chattering classes

All your reactions and suggestions are welcome in the comments section.

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Founder of Knitta, Please Speaks & Modifies Site

by Alexis L. on December 17, 2009

Magda Sayeg via Gawker


Magda Sayeg, founder of Knitta, Please has been kind enough to respond to my request for comment on the issues of race, class and co-opting that have been raised here and on numerous other blogs. These are her words [sic]:

Perthaps if you approached me before you painted me to be a racist, you would have found out that I am an Arabic American woman who grew up in an urban environment. And the assumptions you have made about me couldn’t be further from the truth…even the pictures you posted are not mine. I do not sell t-shirts.  I have been on the receiving end of the word you refer to but with sand at the beginning so it was with great consideration when I chose the name for my collective. I embrace street culture and this was my way of expressing it. This has been over blown. I am going by Magda Sayeg instead of Knittaplease anyway so you will no longer have to worry.

I know that there is still many things in the world to be upset about: Knitta Please, I hope, does not continue to be one of them. If you see a pole, tree, or bus wearing a fuzzy sweater, the intention is for you to smile with thoughtful pause.
Good luck with your blog…….
Magda Sayeg

Though not specifically mentioned in her email, and unknown to me at the time I responded to Magda, if you visit KnittaPlease.com at this time, you will find that it now redirects to MagdaSayeg.com, which is described as the “new home of KP”:

New Knitta, Please homepage as of 12.17.09 11:00 AM EST

My response to Magda is in the comments section, below.

Please share your thoughts. All on-topic replies will be allowed. Insults and blatant trolling will be removed, particularly any inappropriate language directed at, or about, Ms. Sayeg; my goal is to engage her ideas only.

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Responding to Knitta, Please with Words and Action

December 16, 2009

I’ve been very impressed by the level of discourse surrounding the issue of Knitta, Please and wanted to highlight just some statements that I think are particularly worth considering since I know a lot is lost in a 60+ comment thread. Please check the first comment below for a list of curated comments and links [...]

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